Submissions are welcomed at all times from varied disciplines, in any medium, format, and language, provided they conform to the directions listed below. We also advise potential contributors to read our homepage description and look through our previous issues (also browsable by cover and index) before submitting.
Submit via email directly to firstname.lastname@example.org
Use WeTransfer for large files.
Use ‘Submission, [your name, work title]’ as the subject heading of your email. If you have a question, include ‘QUERY’ in the subject.
Include a brief description of the submission (no more than 100 words).
Adhere to the following limits:
- 1000 words for text
- 40 lines poetry
- 5 images (unless part of a series with minimal text)
- Audio-visual submissions (including music and film) are recommended up to 4 minutes, but may be accepted up to 10 minutes.
These will be published on a rolling basis, in between our issues.
Reviews of exhibitions, books, poetry, translation, music, theatre, opera, architecture, design, ceramics etc.
We interpret the review form broadly, and we would like to publish work that experiments with the idea. This means it can incorporate commentary, interview, conversation, comparison and other forms of response.
These reviews can be from any time, place, discipline. If you have reviewed an exhibition that happened 2 years, 10 years or a 50 years ago, we would like to see it. If you went to a concert last week, or watched a performance yesterday, we would like to hear about it. If you think there is a book from a 100 years ago, or a film or piece of music, that you think missed its chance or you've had further thoughts about, send us your review of it.
We ask that they are no longer than 1,500 words, unless you contact us to ask otherwise. Please include a 50-100 word description of your review. If you are not sure whether your idea fits, please read our magazine description on the homepage, browse our contents and email us your query.
LATEST ANNOUNCEMENTS for Open Calls
11th April 2022
Soanyway: Issue 12
We invite submissions to Soanyway for Issue 12 responding to the idea of
RECORDING and DOCUMENTATION.
Deadline 3 May 2022.
I am a camera with its shutter open, quite passive, recording not thinking.
I see no reason for recording the obvious.
Dead voices, lost sounds, forgotten noises, vibrations lockstepping into the abyss and now too distant ever to be recaptured!...What sort of arrows would be able to transfix such birds?
Auguste Villiers de l'Isle-Adam,
History is that certainty produced at the point where the imperfections of memory meet the inadequacies of documentation.
Submissions involving or reflecting on any aspect of RECORDING and DOCUMENTATION are invited in any written, visual or audio form. Please follow our usual submission requirements for issues listed above.
18th August 2021
Soanyway: 'A turn in conversation', our 10th edition will be out soon!
For this issue, we invite submissions in the form of a CONVERSATION.
Deadline 31st August 2021.
Submissions in the form of a CONVERSATION might be an interview (in audio, video or text transcript form) but could also encompass a broader interpretation of the conversational, for instance as exchange, poetry or scripted dialogue, or in visual form. Please adhere to the submission requirements above and remember to include a description of the submission and how you are framing it as a conversation.
17th April 2021
Our next issue MOVEMENT—SPACETIME will be out in June. It will have our second special insert. (The first of these, Lost In Spoleto, came out with Issue 2 in January 2019). The one with our June issue will be Making Early Music, guest-edited by Helen Herbert, and it will include contributions and discussions from a range of disciplines exploring and responding to the subject of early music, encompassing performance, instrument-making, (art) history, and musicology. More information on our June issue will be forthcoming in an announcement nearer the online publication date.
**Open call for cover images:** [ONGOING]
We are now inviting submissions of single photographic images for use as covers in future issues of our online magazine.
For your cover image to be considered for Issue 9 in June, please submit before 7th MAY. Cover submissions sent after this deadline will be considered for future issues.
Soanyway takes its name from a line of dialogue in Michelangelo Antonioni’s 1970 film, Zabriskie Point: “So – anyway – so anyway – so – any – way – ’Soanyway’ ought to be one word. Like a place or a river – Soanyway River”. We recommend that you look at the covers of our first eight issues, each involving river/road images here. As you will have seen above, our next issue has the theme MOVEMENT—SPACETIME, so we particularly welcome images that allude to this theme. Images should be portrait format to conform to our layout.
Please submit a maximum of five images as .jpg files of at least 2MB. They should be sent by email to email@example.com with the subject heading ‘COVER IMAGE’.
(Please also be aware that should your image be selected, it may need to be cropped or adjusted slightly to fit the issue cover.)
Other than the cover call, submissions for our next issue MOVEMENT—SPACETIME are now closed, but details on how to submit contributions for consideration for future issues can be found above.
Thank you, we look forward to hearing from you!