

Issue Two in January 2019 featured contributions responding to the magazine's description, and included a special insert 'Lost in Spoleto' documenting the Mahler & LeWitt Studios and Viaindustriae Artists' Books Program curated by Jo Melvin in September 2018. The contributors were Federico Antonini, Lindsay Aveilhé, Eloise Bennett, Julian Bittiner, Emanuele De Donno, Karen Di Franco, Tommaso Faraci, Gertrude Gibbons, Lina Hermsdorf, James Hoff, Jeffrey Isaac, Sean Lynch, Jo Melvin, Marcello Newman, Joanna Pocock, Giovanni Rendina, Jacopo Rinaldi, Guy Robertson, Tony Tremlett, Riccardo Venturi, Grace Weir. More information about the print version designed by Thomas Bush of the insert (January 2020) is available on request.

Issue Five in January 2020, titled 'Architecture and Memory', was curated around interdisciplinary work invoking architecture in relation to memory, meaning and creative imagination. The two features were on the work of Hermann Bergamelli and Fabio Ranzolin by Irene Sofia Comi, and &Model's book launch.

Issue Six in June 2020, titled 'Liquidity >|< Vessel', included work responding to Bruce Lee's comment “Be formless, shapeless, like water", exploring ideas of explore ideas of fluidity, containment, spillage and immersion. The features were on the work and exhibitions of John Newling and Mattia Pajè.

Issue Eight in January 2021, titled 'Adaptation, Retelling', responded to Walter Benjamin's statement that “story telling is always the art of repeating stories” and Linda Hutcheon's definition of adaptation as a process that “always involves both (re)interpretation and then (re)creation”. The features included a conversation between Michelle Williams Gamaker and Catriona McAra and Ikon Gallery's exhibition Faster Than Ever, and the cover image is by Phill Hopkins.


Issue Nine in June 2021, titled 'Movement—Spacetime', explored motion, space, time, direction, lines, and was part-inspired by the cover to a 1969 issue of ARK magazine. It contained a Special Insert, 'Making Early Music', guest-edited by Helen Herbert. This had interdisciplinary discussions by and between performers, composers, writers and makers. The contributors were Emily Baines, Gavin Bryars, Peter Forrester, Gertrude Gibbons, Helen Herbert, Jacob Heringman, Annabel Knight, Ben Maloney, Jo Melvin, Maja Palser, Susanna Pell, John Potter, Sidney Rime. The issue had three features: the exhibitions of Irene Fenara and Georgia Dickie, and a documentation of the Diagram Research Group's residency at Flat Time House, London. Cover image of Issue Nine by Alexandra Buxbaum. Cover of Insert with sixteenth-century illustrations by Jost Amman and Albrecht Dürer, credit in caption.

Issue Ten in September 2021, titled 'Ten Conversations', was an anniversary edition, celebrating 3 years since the relaunch of Soanyway in September 2018. It featured ten conversations, imagining the issue as a space for conversation, like a room filled with voices, crossing language and form, in line with our slogan 'a turn in conversation'. Cover of Issue Ten by Munevver Odemis.

Issue Eleven in January 2022, titled 'Redux', featured contributions around ideas of restoration, reinterpretation, remaking, remixing, or re-editing and making anew. The two exhibition features were on Fred Tschida CIRCLESPHERE and Neon Workshops at The Art House, Wakefield, and Nicol Allan: Collages at Laure Genillard Gallery, London. Cover of Issue 11 by Joyce Treasure.

Issue Twelve in June 2022, titled 'Recording and Documentation', looks at various methods of recording and documentation, as well as the products resulting from these processes. Contributions "raise questions as to what should be recorded and what gets forgotten, the rediscovery of objects, ideas and feelings, and how to approach these." It includes two exhibition reviews on Images for Sounds: Artist Covers for Music Records at Villa Lontana, Rome, and Jill McKnight: Desire Lines at Leeds Art Gallery. Cover of Issue 12 by Patrick Ford.

Issue Thirteen in September 2022, 'Just: Walking (and what this entails)', marks another anniversary issue, four years after the relaunch of Soanyway. The introduction is formed of a conversation between the editors Derek Horton and Gertrude Gibbons. Featuring 'walks' and contemplations on the connotations and associations with this word across diverse forms and mediums. Cover of Issue 13 is 'Velvet Snow' by Maria Garton.


Issue Fourteen in Spring 2023, 'Instruction: Storytelling in Art and Design', is an extended edition looking at the interconnections of art and design through ideas of storytelling and instruction, exploring systems of making and engaging.
It features our third Special Insert, dedicated to the American industrial designer Douglas Kelley.
Cover of Issue 14 is of a hand-operated cable ferry in Narew National Park, Poland. The cover of the Special Insert is the 3/LC chair designed by Kelley.

Issue Fifteen in Summer 2023, 'Escaping the frame: conversations in paint', brings collage, photography, installation, digital media, textual critique, and poetic writing into dialogue with the practice of painting. The two exhibition features reflect on painting’s connections and parallels with both music and theatre, in the work, respectively, of Basil Beattie and Maria Stangret.
Cover of Issue 15 is of La Scalinata di Piazza Pianciani (architect Ugo Tarchi, 1923) in Spoleto, Italy.

Issue Sixteen in Autumn 2023 / Spring 2024, 'Ekphrasis & Prosopopoeia: Mapping, Interpreting and Giving Voice', brings together diverse creative works that engage with or relate to these rhetorical concepts through strategies of mapping, commentary, interpretation, translating—giving voice. Our exhibition features are a documentation of a sound event in Spoleto, Italy, <open window> curated by Nyla van Ingen and Myriam Laplante, and an exhibition in London at White Conduit Projects SPLASH ! The Haiku Show curated by Paul Carey-Kent and Yuki Miyake.
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Cover of Issue 16 is by Chris Fielder.

Issue Seventeen in Autumn 2024, is our Sixth Anniversary Edition, formed by the Soanyway editing team, advisors and collaborators. We begin with a conversation between Soanyway's current editors, Gertrude Gibbons and Derek Horton, as well as Lisa Stansbie and John Christopher. (Lisa, with Derek, was the co-founder and editor of the original version of the magazine, and John is our current associate editor.)
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Cover of Issue 17 is by Eoin Shea.

Issue Eighteen in Spring / Summer 2025, 'The Space of Exchange', includes various explorations and responses to this idea. We begin by featuring two very different collaborative art projects that both share the starting point of a table. We include one of these contributions, from Studio Kamillo in Rome, as our first artistic intervention into the space and exchange of Soanyway's publication space. We continue with our tradition of an exhibition feature with an account of the exhibition series Subject Platter at Corner7 in London.
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Cover of Issue 18 is by John Newling.




